Bose Krishnamachari is an artist and curator whose artistic practice includes bold abstract paintings, figurative drawings, sculpture, photography and multimedia installations. While stylistically varied, a common thread throughout his work is a critique of power structures that operate within the art world and more broadly in contemporary society. In his first solo show in 1990, Krishnamachari deployed a minimalist style, producing an abstract black on black with white perforated paper, reminiscent of Braille. As viewers could neither touch nor read the language an ironic comment on contemporary culture, and art gallery decorum in particular could be understood.

Other works by Krishnamachari look beyond the art world, and seek to examine the psyche of the ‘average Mumbaikar’ and make visible what he describes as the ‘ocean of anxieties that have arisen from the everyday question of acceptance’. One series includes six large ballpoint pen portraits of household staff from the artist’s Mumbai residence, as well as 108 photographic portraits of individuals who participant in the artist’s life, keeping alive the encounters he had with them. These works are a reminder of how the wealth and class are still dividers in contemporary Indian society.